About
Graham McDougal’s work and exhibitions begin with the printed page, which he approaches as a site, and source for research and studio production. This involves photographing and scanning pieces of print ephemera, rare books, essays on art, typography and architectural design. These are typically found in used book stores or libraries within institutional collections. The publications that inform his work often describe how radical changes in the means of production can alter the function and intention of objects.
Abstraction is purposefully introduced, particularly distortion as a way to alter representational information. Distortion, like a change in the means of production, begins to transform the function and intent of the source images, offering new readings, meanings and systems of seeing. The work that results from this process is realized as installation, paintings, prints and ephemeral printed matter. There is an overarching acknowledgement that when we reflect upon the systems that form our everyday experience, we are confronted with mediated images. And that the role of the printed-image remains in a transitional state, influenced by analog printing, digital dissemination, artisan craft and mass manufacture. The language that describes this transition is grounded in histories of abstraction, collage, photography and emerging digital technologies, all of which are utilized within McDougal’s work.
His work has been exhibited recently at Regina Rex, New York, Print Center New York, STNDRD, St. Louis, Providence College Galeries, Tiger Strikes Asteroid, Chicago, Fjord, Philadelphia and Firstdraft and KNULP both in Sydney, Australia. His prints and multiples have been included in projects at the Print Center Philadelphia, Printed Matter, New York and San Francisco Museum of Modern Art. He has received grants from the Scottish International Education Trust, New York Foundation for the Arts, Cornell Council for the Arts and the Hellman Foundation. He has participated as an artist in the Nesnadny + Schwartz Visiting Curator Program at the Museum of Contemporary Art, Cleveland, and residencies at the Byrdcliffe Art Colony, Woodstock, New York and Kala Art Institute, Berkeley, California. McDougal has taught within the art programs at Cornell University, Oberlin College, the School of the Museum of Fine Arts at Tufts University and the University of California Davis. Born in Edinburgh, Scotland, he studied at Cumbria College of Art and Design and at Duncan of Jordanstone College of Art and Design, Dundee, Scotland, before earning a Master of Fine Arts from Southern Illinois University, Carbondale.
Graham McDougal’s work and exhibitions begin with the printed page, which he approaches as a site, and source for research and studio production. This involves photographing and scanning pieces of print ephemera, rare books, essays on art, typography and architectural design. These are typically found in used book stores or libraries within institutional collections. The publications that inform his work often describe how radical changes in the means of production can alter the function and intention of objects.
Abstraction is purposefully introduced, particularly distortion as a way to alter representational information. Distortion, like a change in the means of production, begins to transform the function and intent of the source images, offering new readings, meanings and systems of seeing. The work that results from this process is realized as installation, paintings, prints and ephemeral printed matter. There is an overarching acknowledgement that when we reflect upon the systems that form our everyday experience, we are confronted with mediated images. And that the role of the printed-image remains in a transitional state, influenced by analog printing, digital dissemination, artisan craft and mass manufacture. The language that describes this transition is grounded in histories of abstraction, collage, photography and emerging digital technologies, all of which are utilized within McDougal’s work.
His work has been exhibited recently at Regina Rex, New York, Print Center New York, STNDRD, St. Louis, Providence College Galeries, Tiger Strikes Asteroid, Chicago, Fjord, Philadelphia and Firstdraft and KNULP both in Sydney, Australia. His prints and multiples have been included in projects at the Print Center Philadelphia, Printed Matter, New York and San Francisco Museum of Modern Art. He has received grants from the Scottish International Education Trust, New York Foundation for the Arts, Cornell Council for the Arts and the Hellman Foundation. He has participated as an artist in the Nesnadny + Schwartz Visiting Curator Program at the Museum of Contemporary Art, Cleveland, and residencies at the Byrdcliffe Art Colony, Woodstock, New York and Kala Art Institute, Berkeley, California. McDougal has taught within the art programs at Cornell University, Oberlin College, the School of the Museum of Fine Arts at Tufts University and the University of California Davis. Born in Edinburgh, Scotland, he studied at Cumbria College of Art and Design and at Duncan of Jordanstone College of Art and Design, Dundee, Scotland, before earning a Master of Fine Arts from Southern Illinois University, Carbondale.
