2016 Aluminum Poetry was written by the curator A. Will Brown and conceived of as an artwork (Offset Interior for Regina Rex, 2016)that would be distributed in conjunction with Aluminium Poetry, the façade installation at Regina Rex.  Designed, typeset and printed by the artist, this text was printed at AS220, Providence as an offset-lithograph in an open edition.

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off-set lithograph printed on Neenah Astrobrights, (terra green and celestial blue) 11x17 inches.

2018 A Dialogue on Distortion includes texts for the exhibition A Dialog of Distortion: Graham McDougal & Bayne Peterson at Providence College Galleries. The catalog is available through Providence College Galleries and includes an essay by PCG Director & Chief Curator, Jamilee Lacy with interviews between the artists and Lauren Ross, Curator and Executive Director at Laumeier Sculpture Park.

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32 page full color, designed by Elizabeth Corkery, printed at Conveyor Editions, edition of 300, Size . ISBN:

2019 The Assembly documents a group of figurative silkscreen paintings produced by distorting the digital scanning of historic typography samples. The paintings and their related production images are deconstructed, photographed and reassembled throughout the publication in full color, and one color black and cyan. A fictional text titled The Anomaly by the artist Anthony Graves (Camel Collective) describes narrative themes of labor, history, production and accident.

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16 page tabloid web-press newsprint in full color and typeset in Monticello and Monti-Sans, 2019, edition of 300, 37x37.5 cm. ISBN: 978-0-578-52017 -9

2019 The exhibition catalog for Screen Time at Stanislaus State University Art Gallery, 2019 includes documentation of a series of paintings and prints under the collective heading of Interiors and Coverings that were produced to expand upon the text and work included in Aluminium Poetry, installed on the façade at Regina Rex. The catalog includes an updated essay by A.Will Brown, Aluminum Poetry: Part Two that examines this new work in relation to the artists research and context of the work exhibited at Regina Rex. The full color catalog includes illustrations, tipped-in and a custom, screen-printed cover based on the new paintings and printed by the artist.

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24 page full color, with screenprinted covers, designed by the artist and Brad Peatross at CSUS, printed at CSUS in, edition of 300. ISBN: 978-1-940753-42-3